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sliderbottom;transformmirrorout:rotation;loop:true;loopduration:10000;loopstartat:transitioninstart + 0;loopeasing:easeOutQuart;loopscalex:1.02;loopscaley:1.02;looptransformorigin:center bottom;loopcount:1;parallax:true;parallaxlevel:14;position:fixed;\"><ls-layer style=\"left:49.98%;top:16.45%;font-family:'Roboto Condensed';font-weight:700;mix-blend-mode:overlay;text-align:center;line-height:199px;color:#ffffff;z-index:100;font-size:239px;white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"transitionin:false;transitionout:false;texttransitionin:true;texttypein:chars_rand;textoffsetyin:-10lh;texteasingin:easeOutQuart;texttransitionout:true;texttypeout:chars_rand;textoffsetyout:10lh;texteasingout:easeOutBack;textstartatout:slidechangeonly + 0;parallax:true;parallaxlevel:11;position:fixed;\">LIBRO<\/ls-layer><img loading=\"lazy\" decoding=\"async\" width=\"839\" height=\"794\" src=\"https:\/\/nuestrosescritores.com\/anamariatomas\/wp-content\/uploads\/sites\/184\/2024\/11\/book2-1.png\" class=\"ls-l ls-img-layer\" alt=\"\" srcset=\"https:\/\/nuestrosescritores.com\/anamariatomas\/wp-content\/uploads\/sites\/184\/2024\/11\/book2-1.png 839w, https:\/\/nuestrosescritores.com\/anamariatomas\/wp-content\/uploads\/sites\/184\/2024\/11\/book2-1-500x473.png 500w\" sizes=\"(max-width: 839px) 100vw, 839px\" style=\"height:587px;left:50%;top:51.25%;margin-top:30px;z-index:110;width:616px;\" data-ls=\"easingin:easeOutQuint;rotatein:90;transformoriginin:slidercenter 150%;transformmirrorin:rotation;easingout:easeOutQuint;fadeout:false;rotateout:-90;transformoriginout:slidercenter 150%;transformmirrorout:rotation;loop:true;loopduration:10000;loopstartat:transitioninstart + 0;loopeasing:easeOutQuart;loopscalex:1.05;loopscaley:1.05 ;looptransformorigin:center bottom;loopcount:1;parallax:true;parallaxlevel:8;position:fixed;\"><ls-layer style=\"font-family:'Roboto Condensed';text-align:center;left:50%;top:75%;font-size:70px;font-weight:700;text-shadow:0px 5px 3px rgba(0, 0, 0, 0.4);color:#ffebe5;z-index:115;width:100%;white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"durationin:1500;delayin:500;easingin:easeOutQuint;scalexin:1.1;scaleyin:1.1;transformoriginin:slidercenter slidermiddle;easingout:easeOutQuint;parallax:true;parallaxlevel:5;minfontsize:40;position:fixedy;\">LOS HILOS DEL MIEDO<\/ls-layer><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1fa1d928 elementor-widget__width-inherit elementor-widget elementor-widget-layerslider\" data-id=\"1fa1d928\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"layerslider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<script type=\"text\/javascript\">jQuery(function() { _initLayerSlider( '#layerslider_1_8worr3lcjabd', {createdWith: '7.13.0', sliderVersion: '7.14.2', skin: 'v6', 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data-src=\"https:\/\/www.youtube.com\/embed\/WyF0GYJLKkI\"><\/iframe><\/ls-layer><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3616702c elementor-section-full_width elementor-section-height-full elementor-section-height-default elementor-section-items-middle\" data-id=\"3616702c\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;slideshow&quot;,&quot;background_slideshow_gallery&quot;:[{&quot;id&quot;:17,&quot;url&quot;:&quot;http:\\\/\\\/nuestrosescritores.com\\\/anamariatomas\\\/wp-content\\\/uploads\\\/sites\\\/184\\\/2024\\\/11\\\/i2vjsirklty.jpg&quot;},{&quot;id&quot;:19,&quot;url&quot;:&quot;http:\\\/\\\/nuestrosescritores.com\\\/anamariatomas\\\/wp-content\\\/uploads\\\/sites\\\/184\\\/2024\\\/11\\\/5e4tij8culg.jpg&quot;},{&quot;id&quot;:20,&quot;url&quot;:&quot;http:\\\/\\\/nuestrosescritores.com\\\/anamariatomas\\\/wp-content\\\/uploads\\\/sites\\\/184\\\/2024\\\/11\\\/dngibpz90tg.jpg&quot;},{&quot;id&quot;:22,&quot;url&quot;:&quot;http:\\\/\\\/nuestrosescritores.com\\\/anamariatomas\\\/wp-content\\\/uploads\\\/sites\\\/184\\\/2024\\\/11\\\/ppbu4tc9ho.jpg&quot;}],&quot;background_slideshow_ken_burns&quot;:&quot;yes&quot;,&quot;background_slideshow_loop&quot;:&quot;yes&quot;,&quot;background_slideshow_slide_duration&quot;:5000,&quot;background_slideshow_slide_transition&quot;:&quot;fade&quot;,&quot;background_slideshow_transition_duration&quot;:500,&quot;background_slideshow_ken_burns_zoom_direction&quot;:&quot;in&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"aux-parallax-section elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-24e69cfc\" data-id=\"24e69cfc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-45953a68 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"45953a68\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;,&quot;_animation_delay&quot;:20}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Ana Mar\u00eda Tom\u00e1s, fil\u00f3loga, poeta, dramaturga, articulista y narradora naci\u00f3 en Jumilla (Murcia) el 22 de junio de 1956.<\/p><p>En 1996 se licenci\u00f3 en Filolog\u00eda Hisp\u00e1nica. Es ganadora de numerosos premios nacionales e internacionales de poes\u00eda, prosa, ep\u00edstolas y art\u00edculos period\u00edsticos.<\/p><p>Tiene publicados cinco poemarios: <strong><em>El alba (1993), La cifra m\u00e1gica (1997), Las estaciones de la locura (2000), Memoria intacta como el \u00e1mbar (2003) <\/em><\/strong>y<strong><em> Miradas c\u00f3mplices (2011)<\/em><\/strong>. Ha sido recogida en m\u00e1s de una decena de antolog\u00edas po\u00e9ticas<\/p><p>En prosa ha publicado los libros <strong><em>Historias y deseos (2001) <\/em><\/strong>y<strong><em> Palabras para Eur\u00eddice (2003), <\/em><\/strong>que recogen una selecci\u00f3n de art\u00edculos period\u00edsticos.<\/p><p>En 2005, en la <strong>Universidad de El Cairo<\/strong> expuso <strong>\u201cLa Poes\u00eda en el Quijote<\/strong>\u201d. Y junto con el profesor Mahmoud El Sayed\u00b4Ali, adapt\u00f3 al espa\u00f1ol el <strong><em>Diccionario Al-Babtin de Poetas \u00c1rabes Contempor\u00e1neos<\/em><\/strong>.<\/p><p>Compagin\u00f3 su labor de docente y ponente: <strong>Universidad Internacional del Mar (<\/strong>Murcia, 2003). <strong>XXX Curso de Ling\u00fc\u00edstica Textual.<\/strong> (\u201cProsa Period\u00edstica de P\u00e9rez-Reverte\u201d UMU. Murcia, 2007).<\/p><p>Desde 1996 mantiene una columna semanal en prensa regional (actualmente diario <strong><em>La Verdad<\/em> de Murcia (Vocento). <\/strong>Y, en <strong><em>RCmagazine<\/em><\/strong> de Murcia, desde enero de 2014.<\/p><p>Es<strong> Primer Premio Nacional de Periodismo \u201cFundaci\u00f3n Mastia. <\/strong>Y autora del libreto<strong> <em>El fantasma de la Tercia<\/em>.<\/strong><\/p><p>Sus art\u00edculos han servido de gu\u00eda de an\u00e1lisis de texto. Fragmentos recogidos en el libro publicado por la UMU en 2011 <strong><em>Gu\u00eda de an\u00e1lisis de texto y Lengua Espa\u00f1ola. Pruebas de acceso a la Universidad<\/em><\/strong>.<\/p><p><span class='bctt-click-to-tweet'><span class='bctt-ctt-text'><a href='https:\/\/x.com\/intent\/tweet?url=https%3A%2F%2Fnuestrosescritores.com%2Fanamariatomas%2F&#038;text=Ana%20Mar%C3%ADa%20T%C3%B3mas.%20Escritora%2C%20poeta.&#038;related' target='_blank'rel=\"noopener noreferrer\">Ana Mar\u00eda T\u00f3mas. Escritora, poeta. <\/a><\/span><a href='https:\/\/x.com\/intent\/tweet?url=https%3A%2F%2Fnuestrosescritores.com%2Fanamariatomas%2F&#038;text=Ana%20Mar%C3%ADa%20T%C3%B3mas.%20Escritora%2C%20poeta.&#038;related' target='_blank' class='bctt-ctt-btn'rel=\"noopener noreferrer\">Compartir en X<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"aux-parallax-section elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1e50c6f0\" data-id=\"1e50c6f0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-59c36f3 elementor-widget elementor-widget-image\" data-id=\"59c36f3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1153\" src=\"https:\/\/nuestrosescritores.com\/anamariatomas\/wp-content\/uploads\/sites\/184\/2024\/11\/AnaMariaTomas.jpg\" class=\"attachment-full size-full wp-image-41\" alt=\"\" srcset=\"https:\/\/nuestrosescritores.com\/anamariatomas\/wp-content\/uploads\/sites\/184\/2024\/11\/AnaMariaTomas.jpg 768w, https:\/\/nuestrosescritores.com\/anamariatomas\/wp-content\/uploads\/sites\/184\/2024\/11\/AnaMariaTomas-500x751.jpg 500w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fd08856 elementor-section-full_width elementor-section-height-full aux-page-cover-wrapper elementor-section-height-default elementor-section-items-middle\" data-id=\"fd08856\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div 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class=\"aux-parallax-section elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7e2a6090\" data-id=\"7e2a6090\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bc1cc60 elementor-section-full_width elementor-section-stretched elementor-section-height-default elementor-section-height-default\" data-id=\"bc1cc60\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;background_background&quot;:&quot;slideshow&quot;,&quot;background_slideshow_gallery&quot;:[{&quot;id&quot;:26,&quot;url&quot;:&quot;http:\\\/\\\/nuestrosescritores.com\\\/anamariatomas\\\/wp-content\\\/uploads\\\/sites\\\/184\\\/2024\\\/11\\\/iy59i0m7op4.jpg&quot;},{&quot;id&quot;:28,&quot;url&quot;:&quot;http:\\\/\\\/nuestrosescritores.com\\\/anamariatomas\\\/wp-content\\\/uploads\\\/sites\\\/184\\\/2024\\\/11\\\/746ced84az4.jpg&quot;},{&quot;id&quot;:30,&quot;url&quot;:&quot;http:\\\/\\\/nuestrosescritores.com\\\/anamariatomas\\\/wp-content\\\/uploads\\\/sites\\\/184\\\/2024\\\/11\\\/mfgs1uadyac.jpg&quot;}],&quot;background_slideshow_ken_burns&quot;:&quot;yes&quot;,&quot;background_slideshow_loop&quot;:&quot;yes&quot;,&quot;background_slideshow_slide_duration&quot;:5000,&quot;background_slideshow_slide_transition&quot;:&quot;fade&quot;,&quot;background_slideshow_transition_duration&quot;:500,&quot;background_slideshow_ken_burns_zoom_direction&quot;:&quot;in&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"aux-parallax-section elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5efbff4c\" data-id=\"5efbff4c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-805b81c elementor-widget__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"805b81c\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1 id=\"ana-mara-toms-arqueologa-de-una-voz-literaria\" class=\"font-display first:mt-xs mb-3 mt-8 text-lg font-[500] leading-[1.5em] lg:text-xl dark:font-[475]\">Ana Mar\u00eda Tom\u00e1s: Arqueolog\u00eda de una voz literaria<\/h1><p class=\"my-0\">Nacida en el coraz\u00f3n vitivin\u00edcola de Jumilla (Murcia) en 1956, Ana Mar\u00eda Tom\u00e1s encarna la fusi\u00f3n entre tradici\u00f3n y vanguardia que define la literatura espa\u00f1ola contempor\u00e1nea. Su obra, caleidosc\u00f3pica en g\u00e9neros pero unificada por una coherencia estil\u00edstica singular, traza puentes entre el rigor filol\u00f3gico y la experimentaci\u00f3n creativa, entre el terru\u00f1o murciano y el di\u00e1logo intercultural.<\/p><h2 id=\"geografa-ntima-jumilla-como-matriz-creativa\" class=\"mb-2 mt-6 text-lg font-[500] first:mt-0 dark:font-[475] [hr+&amp;]:mt-4\">Geograf\u00eda \u00edntima: Jumilla como matriz creativa<\/h2><p class=\"my-0\">El paisaje jumillano \u2014sus vi\u00f1as centenarias, la luz \u00e1spera del sureste, el silencio elocuente de sus calles empinadas\u2014 se transmuta en su escritura en un territorio simb\u00f3lico. Esta transustanciaci\u00f3n de lo local en universal no se limita al decorado ambiental: la esencia mineral de la tierra impregna la sintaxis de sus versos, donde los ritmos del trabajo agr\u00edcola resurgen en cadencias m\u00e9tricas innovadoras. La autora ha convertido su vinculaci\u00f3n tel\u00farica en un proyecto est\u00e9tico que reivindica la periferia como centro creador.<\/p><h2 id=\"travesa-por-los-gneros-de-la-filologa-a-la-creacin\" class=\"mb-2 mt-6 text-lg font-[500] first:mt-0 dark:font-[475] [hr+&amp;]:mt-4\">Traves\u00eda por los g\u00e9neros: de la filolog\u00eda a la creaci\u00f3n<\/h2><p class=\"my-0\">Su formaci\u00f3n como fil\u00f3loga (titulada en 1996 por la Universidad de Murcia) opera como bisagra entre academia y creaci\u00f3n. Los cuatro ejes de su producci\u00f3n literaria revelan esta s\u00edntesis:<\/p><ol class=\"marker:text-textOff list-decimal\"><li><p class=\"my-0\"><strong>Poes\u00eda<\/strong><br \/>Iniciada con\u00a0<em>El alba<\/em>\u00a0(1993), su trayectoria l\u00edrica evoluciona desde el clasicismo formal hacia una exploraci\u00f3n de las fracturas existenciales. En\u00a0<em>Las estaciones de la locura<\/em>\u00a0(2000), el verso libre se convierte en instrumento para cartografiar el desgarro psicol\u00f3gico, mientras\u00a0<em>Memoria intacta como el \u00e1mbar<\/em>\u00a0(2003) cristaliza su obsesi\u00f3n por el tiempo a trav\u00e9s de im\u00e1genes sensoriales que funcionan como f\u00f3siles ling\u00fc\u00edsticos.<\/p><\/li><li><p class=\"my-0\"><strong>Periodismo literario<\/strong><br \/>Sus columnas semanales, iniciadas en 1996, constituyen un laboratorio donde prueba t\u00e9cnicas narrativas laterales: cr\u00f3nicas sociales que devienen par\u00e1bolas morales, an\u00e1lisis ling\u00fc\u00edsticos transformados en relatos m\u00ednimos. Este ejercicio de precisi\u00f3n verbal \u2014donde cada art\u00edculo opera como microcosmos aut\u00f3nomo\u2014 ha influido generaciones de escritores que ven en el periodismo cultural un g\u00e9nero fronterizo.<\/p><\/li><li><p class=\"my-0\"><strong>Narrativa<\/strong><br \/>Con\u00a0<em>Los hilos del miedo<\/em>\u00a0(2024), Tom\u00e1s aborda el trauma hist\u00f3rico del franquismo a trav\u00e9s de una saga familiar ambientada en un pueblo murciano sin nombre. La novela, estructurada como mosaico polif\u00f3nico, utiliza el realismo m\u00e1gico no como escapismo sino como lente para examinar violencias estructurales. El personaje de Adela, narradora que desentierra secretos sepultados, encarna la tensi\u00f3n entre memoria colectiva y redenci\u00f3n individual.<\/p><\/li><li><p class=\"my-0\"><strong>Dramaturgia<\/strong><br \/>Su incursi\u00f3n en teatro con\u00a0<em>El fantasma de la Tercia<\/em>\u00a0(2002) \u2014zarzuela basada en leyendas locales\u2014 demuestra su capacidad para transcodificar narrativas entre medios. El libreto, que integra registros del habla popular con estructuras oper\u00edsticas, revela su o\u00eddo etnogr\u00e1fico para capturar matices dialectales.<\/p><\/li><\/ol><h2 id=\"potica-de-la-interseccin-claves-de-un-estilo\" class=\"mb-2 mt-6 text-lg font-[500] first:mt-0 dark:font-[475] [hr+&amp;]:mt-4\">Po\u00e9tica de la intersecci\u00f3n: claves de un estilo<\/h2><p class=\"my-0\">La obra de Tom\u00e1s se define por tres principios est\u00e9ticos:<\/p><ul class=\"marker:text-textOff list-disc\"><li><p class=\"my-0\"><strong>Sinestesia literaria<\/strong>: fusi\u00f3n de registros sensoriales donde los olores se vuelven texturas verbales y los sonidos adquieren coloratura m\u00e9trica.<\/p><\/li><li><p class=\"my-0\"><strong>Arqueolog\u00eda del lenguaje<\/strong>: rescate de arca\u00edsmos ling\u00fc\u00edsticos que dialogan con neologismos de cu\u00f1o personal.<\/p><\/li><li><p class=\"my-0\"><strong>Cartograf\u00eda emocional<\/strong>: uso del espacio geogr\u00e1fico como mapa para navegar estados psicol\u00f3gicos.<\/p><\/li><\/ul><p class=\"my-0\">Su tratamiento del tiempo \u2014no lineal sino estratigr\u00e1fico\u2014 permite que pasado y presente coexistan en capas superpuestas, t\u00e9cnica particularmente efectiva en su narrativa donde las cicatrices hist\u00f3ricas resurgen en conflictos contempor\u00e1neos.<\/p><h2 id=\"legado-y-vigencia\" class=\"mb-2 mt-6 text-lg font-[500] first:mt-0 dark:font-[475] [hr+&amp;]:mt-4\">Legado y vigencia<\/h2><p class=\"my-0\">M\u00e1s que una autora regional, Tom\u00e1s representa un nodo crucial en redes literarias transnacionales. Sus colaboraciones con poetas \u00e1rabes y persas, as\u00ed como sus traducciones, la sit\u00faan en la vanguardia del di\u00e1logo intercultural mediterr\u00e1neo. La reciente edici\u00f3n de su obra completa con un sello especializado en poes\u00eda contempor\u00e1nea confirma su relevancia en el canon literario actual.<\/p><p class=\"my-0\">Su escritura, siempre en tensi\u00f3n entre ra\u00edces locales y ambici\u00f3n universal, entre lirismo y denuncia social, ofrece un modelo de compromiso est\u00e9tico donde la palabra se revela tanto instrumento de belleza como herramienta de excavaci\u00f3n hist\u00f3rica. En Ana Mar\u00eda Tom\u00e1s, Jumilla no es solo un lugar geogr\u00e1fico: es un estado de la lengua.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-478f4fd4 elementor-section-full_width elementor-section-height-full elementor-section-content-middle back elementor-section-height-default elementor-section-items-middle\" data-id=\"478f4fd4\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"aux-parallax-section elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-42d26c89\" data-id=\"42d26c89\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2c4f3cf elementor-widget elementor-widget-text-editor\" data-id=\"2c4f3cf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: center;\"><p style=\"text-align: center;\"><a class=\"fasc-button fasc-size-xlarge fasc-type-glossy fasc-rounded-medium fasc-style-bold\" style=\"background-color: #339e5a; color: #ffffff;\" href=\"https:\/\/librodepoesia.com\/libro\/de-pesadillas-estan-hechos-todos-los-suenos-catherine-calderon\/\">COMPRA SUS LIBROS<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-da8d081 elementor-section-full_width elementor-section-height-full elementor-section-height-default elementor-section-items-middle\" data-id=\"da8d081\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;shape_divider_top&quot;:&quot;mountains&quot;,&quot;shape_divider_bottom&quot;:&quot;mountains&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t<div class=\"elementor-shape elementor-shape-top\" aria-hidden=\"true\" data-negative=\"false\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1000 100\" preserveAspectRatio=\"none\">\n\t<path class=\"elementor-shape-fill\" opacity=\"0.33\" d=\"M473,67.3c-203.9,88.3-263.1-34-320.3,0C66,119.1,0,59.7,0,59.7V0h1000v59.7 c0,0-62.1,26.1-94.9,29.3c-32.8,3.3-62.8-12.3-75.8-22.1C806,49.6,745.3,8.7,694.9,4.7S492.4,59,473,67.3z\"\/>\n\t<path class=\"elementor-shape-fill\" opacity=\"0.66\" d=\"M734,67.3c-45.5,0-77.2-23.2-129.1-39.1c-28.6-8.7-150.3-10.1-254,39.1 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s-91.7-34.4-149.2,0C115.7,118.3,0,39.8,0,39.8V0h1000v36.5c0,0-28.2-18.5-92.1-18.5C810.2,18.1,775.7,67.3,734,67.3z\"\/>\n\t<path class=\"elementor-shape-fill\" d=\"M766.1,28.9c-200-57.5-266,65.5-395.1,19.5C242,1.8,242,5.4,184.8,20.6C128,35.8,132.3,44.9,89.9,52.5C28.6,63.7,0,0,0,0 h1000c0,0-9.9,40.9-83.6,48.1S829.6,47,766.1,28.9z\"\/>\n<\/svg>\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"aux-parallax-section elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-82dcb09\" data-id=\"82dcb09\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6387e003 elementor-widget__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"6387e003\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Esta p\u00e1gina web est\u00e1 realizada por el GRUPO EDITORIAL P\u00c9REZ-AYALA para la escritora ANA MAR\u00cdA T\u00d3MAS porque acaba de publicar un libro en una de las siguientes editoriales:<br \/>Editorial Poes\u00eda eres t\u00fa: Una editorial para poetas contempor\u00e1neos, con un cat\u00e1logo diverso de las diferentes tendencias de la poes\u00eda.<br \/>Ediciones Rilke: Una colecci\u00f3n de poes\u00eda cl\u00e1sica con poetas contempor\u00e1neos de gran trayectoria.<br \/>Ediciones Azor\u00edn: Una editorial para escritores y temas de Alicante y Murcia, un sello regional a nivel nacional.<br \/>Contamos tambi\u00e9n con editoriales de narrativa como Ediciones Amaniel y una editorial de autoedici\u00f3n como la Editorial Agencia del libro y un sistema de crowdfunding de libros para que los nuevos escritores puedan publicar un libro gratis.<br \/>Informaci\u00f3n tras publicar un libro: LOS HILOS DEL MIEDO de ANA MAR\u00cdA T\u00d3MAS con la editorial de poes\u00eda Editorial Poes\u00eda eres t\u00fa.<br \/>ANA MAR\u00cdA T\u00d3MAS logra publicar un libro de poes\u00eda, LOS HILOS DEL MIEDO, tras un proceso de selecci\u00f3n de obras con la Editorial Poes\u00eda eres t\u00fa.<br \/>Todos los derechos del libro LOS HILOS DEL MIEDO pertenecen a ANA MAR\u00cdA T\u00d3MAS tras publicar un libro con la Editorial Poes\u00eda eres t\u00fa.<br \/>Publicar un libro de poes\u00eda como LOS HILOS DEL MIEDO de ANA MAR\u00cdA T\u00d3MAS es posible gracias al trabajo de todo el equipo de la Editorial Poes\u00eda eres t\u00fa.<br \/>Toda la promoci\u00f3n del libro LOS HILOS DEL MIEDO la puedes ver en la p\u00e1gina de la Editorial Poes\u00eda eres t\u00fa y en la web que la editorial le hace a ANA MAR\u00cdA T\u00d3MAS tras publicar un libro.<br \/>ANA MAR\u00cdA T\u00d3MAS agradece a la Editorial Poes\u00eda eres t\u00fa y la Agencia del libro por facilitar el trabajo de publicar un libro: LOS HILOS DEL MIEDO.<br \/>La Editorial Poes\u00eda eres t\u00fa y ANA MAR\u00cdA T\u00d3MAS agradecen la colaboraci\u00f3n de los poetas, que han conseguido publicar un libro, y lectores del libro LOS HILOS DEL MIEDO por su colaboraci\u00f3n en la promoci\u00f3n y difusi\u00f3n de la obra.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Ediciones RilkeGRUPO EDITORIAL P\u00c9REZ-AYALAESCRITORAANA MAR\u00cdA TOM\u00c1SLIBROLOS HILOS DEL MIEDO Ana Mar\u00eda Tom\u00e1s, fil\u00f3loga, poeta, dramaturga, articulista y narradora naci\u00f3 en Jumilla (Murcia) el 22 de junio de 1956. En 1996 se licenci\u00f3 en Filolog\u00eda Hisp\u00e1nica. Es ganadora de numerosos premios nacionales e internacionales de poes\u00eda, prosa, ep\u00edstolas y art\u00edculos period\u00edsticos. Tiene publicados cinco poemarios: El [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-13","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.7 (Yoast SEO v27.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Escritora - Ana Mar\u00eda Tom\u00e1s<\/title>\n<meta name=\"description\" content=\"Ana Mar\u00eda Tom\u00e1s es la escritora del libro LOS HILOS DEL MIEDO. 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